Très Riches Heures {The Story of Art}

May (from Très Riches Heures). Paul and Jean Limbourgh. 1410.

“The artists of the International Style applied [power of observation and delight in delicate and beautiful things], to their portrayal of the world around them… Formerly it was sufficient training to learn the ancient formulas for representing the main figures of the sacred story and to apply this knowledge in ever-new combinations. Now the artist’s task included a different skill. He had to be able to make studies from nature and to transfer them to pictures. He began to use a sketchbook, and to lay up a store of sketches of rare and beautiful plants and animals… The public which looked at the artist’s works began to judge them by the skill with which nature was portrayed, and by the wealth of attractive details which the artist managed to bring into his pictures.”

Ernst H. Gombrich, “Courtiers and Burghers,” The Story of Art, 15th edition

3 thoughts on “Très Riches Heures {The Story of Art}”

  1. I didn’t realize that Gothic is the first style in which the artist seeks out nature for details…
    I have always been fascinated by the Limbourg brothers for their highly Gothic quality of combining architecture and nature. Funny, because while I was in the Ransom Everglades Art History class, I was very secure in talking about the Limbourg brothers, that they were the only Gothic artists I would mention!

    1. I’ve been working on my calendar for next year, and made a special effort make it pretty. But it’s not anything as fine as the Limbourgh brothers! Their patience in using a magnifying glass for the details is astounding to me!

  2. I never knew that about the magnifying glass! That’s amazing!
    I also admire the way they portray realism in great detail while still incorporating some sort of dreamy fantasy in their work!

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