Tag Archives: Alfred Lord Tennyson

In Memoriam XXVII

Gone But Not Forgotten. John William Waterhouse. 1873.
Gone But Not Forgotten. John William Waterhouse. 1873.

 

In Memoriam XXVII

Alfred Lord Tennyson

 

I envy not in any moods

The captive void of noble rage,

The linnet born within the cage,

That never knew the summer woods:

 

I envy not the beast that takes

His license in the field of time,

Unfetter’d by the sense of crime,

To whom a conscience never wakes;

 

Nor, what may count itself as blest,

The heart that never plighted troth

But stagnates in the weeds of sloth;

Nor any want-begotten rest.

 

I hold it true, whate’er befall;

I fell it, when I sorrow most;

‘Tis better to have loved and lost

Than never to have loved at all.

Minnie and Winnie

The Calmady Children. Sir Thomas Lawrence. 1823.

 

Minnie and Winnie

Alfred Lord Tennyson

 

Minnie and Winnie

Slept in a shell.

Sleep, little ladies!

And they slept well.

 

Pink was the shell within,

Silver without;

Sounds of the great sea

Wander’d about.

 

Sleep, little ladies!

Wake not soon!

Echo on echo

Dies to the moon.

 

Two bright stars

Peep’d into the shell.

“What are you dreaming of?

Who can tell?”

 

Started a green linnet

Out of the croft;

Wake, little ladies,

The sun is aloft!

‘The Splendour Falls on Castle Walls’

Lanscape with Tower in Ruin. Thomas Cole. 1839.

 

from The Princess

Alfred, Lord Tennyson

 

The splendour falls on castle walls

And snowy summits old in story:

The long light shakes across the lakes,

And the wild cataract leaps in glory.

Blow, bugle, blow, set the wild echoes flying,

Blow, bugle; answer, echoes, dying, dying, dying.

 

O hark, O hear/1 how thin and clear,

And thinner, clearer, farther going!

O sweet and far from cliff and scar

The horns of Elfland faintly blowing!

Blow, let us hear the purple glens replying:

Blow, bugle; answer, echoes, dying, dying, dying.

 

O love, they die in yon rich sky,

They faint on hill or field or river:

Our echoes roll from soul to soul,

And grow for ever and for ever.

Blow, bugle, blow, set the wild echoes flying,

And answer, echoes, answer, dying, dying, dying.

‘Break, Break, Break’

The Wander Above the Sea of Fog. Caspar David Friedrich. 1818.

 

from The Princess

Alfred, Lord Tennyson

 

Break, break, break,

On thy cold gray stones, O Sea!

And I would that my tongue could utter

The thoughts that arise in me.

 

O, well for the fisherman’s boy,

That he shouts with his sister at play!

O, well for the sailor lad,

That he sings in his boat on the bay!

 

And the stately ships go on

To their haven under the hill;

But O for the touch of a vanish’d hand,

And the sound of a voice that it is still!

 

Break, break, break

At the foot of thy crags, O Sea!

But the tender grace of a day that is dead

Will never come back to me.

In Memoriam A.H.H. (Introduction)

Consolation. Auguste Toulmouche. 1867.

 

In Memoriam A.H.H.

Alfred, Lord Tennyson, 1849

 

Introduction

 

Strong Son of God, immortal Love,

Whom we, that have not seen thy face,

By faith, and faith alone, embrace,

Believing where we cannot prove;

 

Thine are these orbs of light and shade;

Thou madest Life in man and brute;

Thou madest Death; and lo, thy foot

Is on the skull which thou hast made.

 

Thou wilt not leave us in the dust:

Thou madest man, he knows not why,

He thinks he was not made to die;

And thou hast made him: thou art just.

 

Thou seemest human and divine,

The highest, holiest manhood, thou:

Our wills are ours, we know not how;

Our wills are ours, to make them thine.

 

Our little systems have their day;

They have their day and cease to be:

They are but broken lights of thee,

And thou, O Lord, are more than they.

 

We have but faith: we cannot know;

For knowledge is of things we see;

And yet we trust it comes from thee,

A beam in darkness: let it grow.

 

Let knowledge grow from more to more,

But more of reverence in us dwell;

That mind and soul, according well,

May make one music as before,

 

But vaster. We are fools and slight;

We mock thee when we do not fear:

But help thy foolish ones to bear;

Help thy vain worlds to bear thy light.

 

Forgive what seem’d my sin in me;

What seem’d my worth since I began;

For merit lives from man to man,

And not from man, O Lord, to thee.

 

Forgive my grief for one removed,

Thy creature, whom I found so fair.

I trust he lives in thee, and there

I find him worthier to be loved.

 

Forgive these wild and wandering cries,

Confusions of a wasted youth;

Forgive them where they fail in truth,

And in thy wisdom make me wise.

 

These moving verses introduce a lengthy requiem written by Alfred Lord Tennyson over a period of seventeen years, in memory of his Cambridge friend, Arthur Henry Hallam, who died suddenly of cerebral hemorrhage at age 22. The original title of the poem was “The Way of the Soul,” and it so comforted Queen Victoria after the death of Prince Albert that she requested a meeting with Tennyson—who would later serve the longest tenure as Poet Laureate of his country. Canto 27 contains the most frequently quoted lines of the work: “I hold it true, whate’er befall;/ I feel it when I sorrow most;/ ‘Tis better to have loved and lost/ Than never to have loved at all.”

Vivien’s Song

Francesca and Her Lute. Charles Edward Halle.

 

Vivien’s Song

Alfred Lord Tennyson

 

In Love, if Love be Love, if Love be ours,

Faith and unfaith can ne’er be equal powers:

Unfaith in aught is want of faith in all.

 

It is the little rift within the lute,

That by and by will make the music mute,

And ever widening slowly silence all.

 

The little rift within the lover’s lute

Or little pitted speck in garnered fruit,

That rotting inward slowly moulders all.

 

“Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes.” Songs of Solomon 2:15

Sweet and Low

Moonbeams. Jessie Willcox Smith.

 

Sweet and Low

Alfred Lord Tennyson, 1847

 

Sweet and low, sweet and low,

Wind of the western sea,

   Low, low, breathe and blow,

Wind of the western sea!

   Over the rolling waters go,

Come from the dying moon, and blow.

Blow him again to me;

While my little one, while my pretty one, sleeps.

 

Sleep and rest, sleep and rest,

Father will come to thee soon;

   Rest, rest, on mother’s breast,

Father will come to thee soon;

   Father will come to his babe in the nest,

Silver sails all out of the west

Under the silver moon:

Sleep, my little one, sleep, my pretty one, sleep.

The Lady of Shalott

The Lady of Shalott. Walter Crane. 1862.

 

The Lady of Shalott

Alfred Lord Tennyson, 1842

 

Part I.

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro’ thefield the road runs by

To many-tower’d Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

The island of Shalott.

 

Willow whiten, aspens quiver,

Little breezes dusk and shiver

Thro’ the wave that runs forever

By the island in the river

Flowing down to Camelot.

Four gray walls, an four gray towers,

Overlook a space of flowers,

And the silent isle imbowers

The Lady of Shalott.

 

By the margin, willow-veil’d

Slide the heavy barges trail’d

By slow horses; and unhail’d

The shallop flieth silken-sail’d

Skimming down to Camelot:

But who hath seen her wave her hand?

Or at the casement seen her stand?

Or is she known in all the land,

The Lady of Shalott?

 

Only reapers, reaping early

In among the bearded barley,

Hear a song that echoes cheerly

From the rover winding clearly,

Down to tower’d Camelot:

And by the moon the reaper weary,

Piling sheaves in uplands airy,

Listening, whispers ” ‘Tis the fairy

Lady of Shalott.”

 

Part II.

There she weaves by night and day

A magic web with colours gay.

She has heard a whisper say,

A curse is on her if she stay

To look down to Camelot.

She knows not what the curse may be,

And so she weaveth steadily,

And little other care hath she,

The Lady of Shalott.

 

And moving thro’ a mirror clear

That hangs before her all the year,

Shadows of the world appear.

There she sees the highway near

Winding down to Camelot:

There the river eddy whirls,

And there the surly village-churls,

And the red cloaks of market girls,

Pass onward from Shalott.

 

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd-lad,

Or long-hair’d page in crimson clad,

Goed by to tower’d Camelot;

And sometimes thro’ the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

The Lady of Shalott.

 

But in her web she still delights

To weave the mirror’s magic sights,

For oft thro’ the silent nights

A funeral, with plumes and lights

And music, went to Camelot.

Or when the moon was overhead,

Came two young lovers lately wed;

“I am half-sick of shadows,” said

The Lady of Shalott.

 

Part III.

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling thro’ the leaves,

And flamed upon the brazen greaves

Of bold Sir Lancelot.

A redcross knight for ever kneel’d

To a lady in his shield,

That sparkled on the yellow field,

Beside remote Shalott.

 

All in the blue and unclouded weather

Thick-jewell’d shone the saddle-leather,

The helmet and the helmet-feather

Burn’d like one burning flame together,

As he rode down to Camelot.

As often tho’ the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

Moves over still Shalott.

 

His broad clear brow in sunlight glow’d;

On burnish’d hooves his war-horse trode;

From underneath his helmet flow’d

His coal-black curls as on he rode,

As he rode down to Camelot.

From the bank and from the river,

He flash’d into the crystal mirror,

“Tirra lirra,” by the river

Sang Sir Lancelot.

 

She left the web, she left the loom,

She made three paces thro’ the room,

She saw the water-lily bloom,

She saw the helmet and the plume,

She look’d down to Camelot.

Out flew the web and floated wide;

The mirror crack’d from side to side;

“The curse is come upon me,” cried

The Lady of Shalott.

 

Part IV.

In the stormy east-wind straining,

The pale-yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

Over tower’d Camelot;

Down she same and found a boat

Beneath a willow left afloat,

And round about the prow she wrote

The Lady of Shalott.

 

And down the river’s dim expanse—

Like some bold seër in a trance,

Seeing all his own mischance—

With a glassy countenance

Did she look to Camelot.

And at the closing of the day

She loosed the chain, and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

 

Lying, robed in snowy white

That loosely flew to left and right—

The leaves upon her falling light—

Thro’ the noises of the night

She floated down to Camelot:

And as the boat-head wound along

The willowy hills and fields among,

They heard her singing her last song,

The Lady of Shalott.

 

Heard a carol, mournful, holy,

Chanted loudly, chanted slowly,

And her eyes were darken’d wholly,

Turn’d to tower’d Camelot;

For ere she reach’d upon the tide

The first house by the water-side,

Singing in her song she died,

The Lady of Shalott.

 

Under tower and balcony,

By garden-wall and gallery,

A gleaming shape she floated by,

A corse between the houses high,

Silent into Camelot.

Out upon the wharf they came,

Knight and burgher, lord and dame,

And round the prow they read her name,

The Lady of Shalott.

 

Who is this? and what is here?

And in the lighted palace near

Died the sound of royal cheer;

And they cross’d themselves for fear,

All the knights at Camelot:

But Lancelot mused a little space;

He said, “She has a lovely face;

God in his mercy lend her grace,

The Lady of Shalott.”