Why does the wind lie down at night
When all the sky is red,
Why does the moon begin to shine
When I am put to bed,
And all the little stars come out
And twinkle overhead?
I see the sun shine all day,
I gather daisies in my play,
But oh, I truly wish that I
Could see the stars bloom in the sky!
I’d love to see the moon shine down,
And silver all the roofs in town,
But always off to sleep I go
Just as the sun is getting low.
My father, he was a mountaineer,
His fist was a knotty hammer,
He was quick on his feet as a running deer,
And he spoke with a Yankee stammer.
My mother, she was merry and brave,
And so she came to her labor,
With a tall green fir for her doctor grave
And a stream for her comforting neighbor.
And some are wrapped in the linen fine,
And some like a godling’s scion;
But I was cradled on twigs of pine
In the skin of a mountain lion.
And some remember a white, starched lap
And a ewer with silver handles;
But I remember a coonskin cap
And the smell of bayberry candles.
The cabin logs, with the bark still rough,
And my mother who laughed at trifles,
And the tall, lank visitors, brown as snuff,
With their long, straight squirrel-rifles.
I can hear them dance, like a foggy song,
Through the deepest of one of my slumbers,
The fiddle squeaking the boots along
And my father calling the numbers.
The quick feet shaking the puncheon-floor,
And the fiddle squealing and squealing,
Till the dried herbs rattled above the door
And the dust went up to the ceiling.
There are children lucky from dawn to dusk,
But never a child so lucky!
For I cut my teeth on “Money Musk”
In the Bloody Ground of Kentucky!
When I grew tall as the Indian corn,
My father had little to lend me,
But he gave me his great, old powder-horn
And his woodsman’s skill to befriend me.
With a leather shirt to cover my back,
And a redskin nose to unravel
Each forest sign, I carried my pack
As far as a scout could travel.
Till I lost my boyhood and found my wife,
A girl like a Salem clipper!
A woman straight as a hunting-knife
With eyes as bright as the Dipper!
We cleared our camp where the buffalo feed,
Unheard-of streams were our flagons;
And I sowed my sons like the apple-seed
On the trail of the Western wagons.
They were right, tight boys, never sulky or slow,
A fruitful, goodly muster.
The eldest died at the Alamo.
The youngest fell with Custer.
The letter that told it burned my hand.
Yet we smiled and said, “So be it!”
But I could not live when they fenced the land,
For it broke my heart to see it.
I saddled a red, unbroken colt
And rode him into the day there;
And he threw me down like a thunderbolt
And rolled on me as I lay there.
The hunter’s whistle hummed in my ear
As the city-men tried to move me,
And I died in my boots like a pioneer
With the whole wide sky above me.
Now I lie in the heart of the fat, black soil,
Like the seed of the prairie thistle;
It has washed my bones with honey and oil
And picked them clean as a whistle.
And my youth return, like the rains of Spring,
And my sons, like the wild geese flying;
And I lie and hear the meadow-lark sing
And have much content in my dying.
Go play with the towns you have built of blocks,
The towns where you would have bound me!
I sleep in the earth like a tired fox,
And my buffalo have found me.
I whispered, “I am too young,”
And then, “I am old enough”;
Wherefore I threw a penny
To find out if I might love.
“Go and love, go and love, young man,
If the lady be young and fair.”
Ah, penny, brown penny, brown penny,
I am looped in the loops of her hair.
O love is a crooked thing,
There is nobody wise enough
To find out all that is in it,
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
Ah, penny, brown penny, brown penny,
One cannot begin it too soon.
God, though to Thee our psalm we raise
No answering voice comes from the skies;
To Thee the trembling sinner prays
But no forgiving voice replies;
Our prayer seems lost in desert ways,
Our hymn in the vast silence dies.
We see the glories of the earth
But not the hand that wrought them all:
Night to a myriad worlds gives birth,
Yet like a lighted empty hall
Where stands no host at door or hearth
Vacant creation’s lamps appall.
We guess; we clothe Thee, unseen King,
With attributes we deem are meet;
Each in his own imagining
Sets up a shadow in Thy seat;
Yet know not how our gifts to bring,
Where seek Thee with unsandalled feet.
And still th’unbroken silence broods
While ages and while æons runs,
As erst upon chaotic floods
The Spirit hovered ere the sun
Had called the seasons’ changeful moods
And life’s first germs from death had won.
And still th’abysses infinite
Surround the peak from which we gaze.
Deep calls to deep, and blackest night
Giddies the soul with blinding daze
That dares to cast its searching sight
On being’s dread and vacant maze.
And Thou art silent, whilst Thy world
Contends about its many creeds
And hosts confront with flags unfurled
And zeal is flushed and pity bleeds
And truth is heard, with tears impearled,
A moaning voice among the reeds.
My hand upon my lips I lay;
The breast’s desponding sob I quell;
I move along life’ tomb-decked way
And listen to the passing bell
Summoning men from speechless day
To death’s more silent, darker spell.
Oh! till Thou givest that sense beyond,
To shew Thee that Thou art, and near,
Let patience with her chastening wand
And lead me child-like by the hand
If still in darkness not in fear.
Speak! whisper to my watching heart
One word-as when a mother speaks
Soft, when she sees her infant start,
Till dimpled joy steals o’er its cheeks.
Then, to behold Thee as Thou art,
I’ll wait till morn eternal breaks.
“Nondum” is Latin for “not yet.” Hopkins’ moving poem echoes the Psalmist who cries, “How long, LORD? wilt thou hide thyself for ever?” (Psalm 89). In a time of spiritual darkness, Hopkins fails to find any comfort in prayer or in nature. He pleads for a single whisper from God’s “still, small voice” (1 Kings 19), to strengthen him until the time he can know God “even as I am known (1 Cor. 13).
Dainty Miss Apathy
Sat on a sofa,
Danglig her legs,
And with nothing to do;
She looked at a drawing of
Old Queen Victoria,
At a rug from far Persia—
An exquisite blue;
At a bowl of bright tulips;
A needlework picture
Of doves caged in wicker
You could almost hear coo;
She looked at the switch
That evokes e-
Lectricity;
At the coals of an age
B.C. millions and two—
When the trees were like ferns
And the reptiles all flew;
She looked at the cat
Asleep on the hearthrug,
At the sky in the window,—
The clouds in it, too,
And a marvelous light
From the West burning through;
And the one silly word
In her desolate noddle
As she dangled her legs,
Having nothing to do,
Was not, as you’d guess,
Of dumbfounded felicity,
But contained just four letters,
And these pronounced POOH!
This humorous rebuke was published in a collection for children by Walter de la Mare entitled Bells and Grass.
There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toil;
How frugal is the chariot
That bears a human soul!
Hear the sledges with the bells,
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.
Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!
Hear the loud alarum bells,
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune.
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling
And the wrangling,
How the danger sinks and swells,—
By the sinking or the swelling in the anger of the bells,
Of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!
Hear the tolling of the bells,
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people—ah, the people,
They that dwell up in the steeple,
All alone,
And who tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone—
They are neither man nor woman,
They are neither brute nor human,
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A pæan from the bells;
And his merry bosom swells
With the pæan from the bells,
And he dances, and he yells:
Keeping time, time, time,
In a sort of Rhunic rhyme,
To the pæan of the bells,
Of the bells:
Keeping time, time, time,
In a sort of Rhunic rhyme,
To the throbbing of the bells,
Of the bells, bells, bells,—
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Rhunic rhyme,
To the rolling of the bells,
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the moaning and the groaning of the bells.
This poem by Poe, published after his death, is one of my own favorites by the American poet. The lines are full of repetition, onomatopoeia, and alliteration that contribute to the masterful rhythm.
Sonnets are full of love, and this my tome
Has many sonnets: so here now shall be
One sonnet more, a love sonnet, from me
To her whose heart is my heart’s quiet home.
To my first Love, my mother, on whose knee
I learnt love-lore that is not troublesome;
Whose service is my special dignity,
And she my loadstar while I go and come
And so because you love me, and because
I love you, Mother, I have woven a wreath
Of rhymes wherewith to crown your honored name:
In you no fourscore years can dim the flame
Of love, whose blessed grow transcends the laws
Of time and change and mortal life and death.
This is the dedicatory sonnet that prefaces “my tome”—Rosetti’s fourth collection, A Pageant and Other Poems.
Because I feel that, in the Heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of “Mother,”
Therefore by that dear name I long have called you—
You who are more than mother unto me,
And fill my heart of hearts, where death installed you,
In setting my Virginia’s spirit free,
My mother—my own mother, who dies early,
Was but the mother of myself; but you
Are mother to the one I loved so dearly,
And thus are dearer than the mother I knew
By that infinity with which my wife
Was dearer to my soul than it soul-life.
This beautiful poem is addressed by Poe to his mother-in-law, the mother of his young wife Virginia Clemm. Virginia died of consumption at the age of twenty-four.
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the mountains be sea,
There I’ll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on the top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hak to the song of the sailor on board!
And see on the steps of my palace the kings
Coming and going with presents and things!
Now I have done with it, down let it go!
All in a moment the town is laid low.
Block upon block lying scattered and free,
What is there left of my town by the sea?
Yet as I saw it, I see it again,
The kirk and the palace, the ships and the men,
And as long as I live and where’er I may be,
I’ll always remember my town by the sea.