Sleep sweet within this quiet room,
O thou, who’er thou art,
And let no mournful yesterdays
Disturb thy peaceful heart.
Nor let tomorrow mar thy rest
With dreams of coming ill:
Thy Maker is thy changeless friend,
His love surrounds thee still.
Forget thyself and all the world,
Put out each garish light:
The stars are shining overhead—
Sleep sweet! Goodnight! Goodnight!
The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever
With a sweet emotion.
Nothing in the world is single;
All things by the law divine
In one another’s being mingle:—
Why not I with thine?
See! the mountains kiss high heaven,
And the waves clasp one another;
No sister flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea:—
What are all these kissings worth,
If thou kiss not me?
God moves in a mysterious way,
His wonders to perform;
He plants his footsteps in the sea,
And rides upon the storm.
Deep in unfathomable mines
Of never-failing skill,
He treasures up his bright designs,
And works his sovereign will.
Ye fearful saints fresh courage take—
The clouds ye so much dread
Are big with mercy, and shall break
In blessings on your head.
Judge not the Lord by feeble sense,
But trust him for his grace;
Behind a frowning providence,
He hides a smiling face.
His purposes will ripen fast,
Unfolding every hour;
The bud may have a bitter taste,
But sweet will be the flow’r,
Blind unbelief is sure to err,
And scan his work in vain;
God is his own interpreter,
And he will make it plain.
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometimes too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance, or nature’s changing course untrimmed:
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st,
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the fist bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
The writer Paul Laurence Dunbar is celebrated as the first important black poet in American history. He was highly acclaimed even in his own time by the likes of James Weldon, James Newton Matthew, and James Whitcomb Riley.
Dunbar’s first volume of poetry, Oak and Ivy, was published in 1893 with editorial assistance from friend and former classmate Orville Wright (one of the famous flying brothers). The volume included what remains perhaps Dunbar’s most popular poem—”Sympathy,” in which he uses the image of a caged bird to movingly express the plight of blacks in American society.
Righteous art Thou, O Lord, when I complain to Thee, yet I would plead my case before Thee. Why does the way of the wicked prosper?—Jeremiah 12:1
Thou art indeed just, Lord, if I contend
With thee; but, sir, so what I plead is just,
Why do sinners’ ways prosper? and why must
Disappointment all I endeavor end?
Wert thou my enemy, O thou my freind,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me? Oh, the sots and thralls of lust
Do in spare hours more thrive than I that spend,
Sir, life upon thy cause. See, banks and brakes
Now, leavéd how thick! lacéd they are again
With fretty chervil, look, and fresh wind shakes
Them; birds build—but not I build; no, but strain,
Time’s eunuch, and not breed one work that wakes.
Mine, O thou lord of life, send my roots rain.
Hopkin’s poem is a translation and expansion of Jeremiah 12. Always prone to depression, the Jesuit priest and poet had come to feel that his life was wretched and that he had failed to accomplish anything lasting. The earliest manuscript of the poem is dated March 17 (St. Patrick’s Day), 1889. Hopkins died of typhoid fever less than three months later. Today, he is recognized as a poet of enduring quality, the writer of such classics as “Spring and Fall,” “The Windhover,” “The Grandeur of God,” and “Pied Beauty.”
This tale is true, and mine. It tells
How the sea took me, swept me back
And forth in sorrow and fear and pain,
Showed me suffering in a hundred ships,
In a thousand ports, and in me. It tells
Of smashing surf when I sweated in the cold
Of an anxious watch, perched in the bow
As it dashed under cliffs. My feet were cast
In icy bands, bound with frost,
With frozen chains, and hardship groaned
Around my heart. Hunger tore
At my sea-weary soul. No man sheltered
On the quiet fairness of earth can feel
How wretched I was, drifting through winter
On an ice-cold sea, whirled in sorrow,
Alone in a world blown clear of love,
Hung with icicles. The hailstorms flew.
The only sound was the roaring sea,
The freezing waves. The song of the swan
Might serve for pleasure, the cry of the sea-fowl,
The death-noise of birds instead of laughter,
The mewing of gulls instead of mead.
Storms beat on the rocky cliffs and were echoed
By icy-feathered terns and the eagle’s screams;
No kinsman could offer comfort there,
To a soul left drowning in desolation.
And who could believe, knowing but
The passion of cities, swelled proud with wine
And no taste of misfortune, how often, how wearily,
I put myself back on the paths of the sea.
Night would blacken; it would snow from the north;
Frost bound the earth and hail would fall,
The coldest seeds. And how my heart
Would begin to beat, knowing once more
The salt waves tossing and the towering sea!
The time for journeys would come and my soul
Called me eagerly out, sent me over
The horizon, seeking foreigners’ homes.
But there isn’t a man on earth so proud,
So born to greatness, so bold with his youth,
Grown so brave, or so graced by God,
That he feels no fear as the sails unfurl,
Wondering what Fate has willed and will do.
No harps ring in his heart, no rewards,
No passion for women, no worldly pleasures,
Nothing, only the ocean’s heave;
But longing wraps itself around him.
Orchards blossom, the towns bloom,
Fields grow lovely as the world springs fresh,
And all these admonish that willing mind
Leaping to journeys, always set
In thoughts traveling on a quickening tide.
So summer’s sentinel, the cuckoo, sings
In his murmuring voice, and our hearts mourn
As he urges. Who could understand,
In ignorant ease, what we others suffer
As the paths of exile stretch endlessly on?
And yet my heart wanders away,
My soul roams with the sea, the whales’
Home, wandering to the widest corners
Of the world, returning ravenous with desire,
Flying solitary, screaming, exciting me
To the open ocean, breaking oaths
On the curve of a wave.
Thus the joys of God
Are fervent with life, where life itself
Fades quickly into the earth. The wealth
Of the world neither reaches to Heaven nor remains.
No man has ever faced the dawn
Certain which of Fate’s three threats
Would fall: illness, or age, or an enemy’s
Sword, snatching the life from his soul.
The praise the living pour on the dead
Flowers from reputation: plant
An earthly life of profit reaped
Even from hatred and rancor, of bravery
Flung in the devil’s face, and death
Can only bring you earthly praise
And a song to celebrate a place
With the angels, life eternally blessed
In the hosts of Heaven.
The days are gone
When the kingdoms of earth flourished in glory;
Now there are no rulers, no emperors,
No givers of gold, as once there were,
When wonderful things were worked among them
And they lived in lordly magnificence.
Those powers have vanished, those pleasures are dead.
The weakest survives and the world continues,
Kept spinning by toil. All glory is tarnished.
The world’s honor ages and shrinks.
Bent like the men who mould it. Their faces
Blanch as time advances, their beards
Wither and they mourn the memory of friends.
The sons of princes, sown in the dust.
The soul stripped of its flesh knows nothing
Of sweetness or sour, feels no pain,
Bends neither its hand nor its brain. A brother
Opens his palms and pours down gold
On his kinsman’s grave, strewing his coffin
With treasures intended for Heaven, but nothing
Golden shakes the wrath of God
For a soul overflowing with sin, and nothing
Hidden on earth rises to Heaven.
We all fear God. He turns the earth,
He set it swinging firmly in space,
Gave life to the world and light to the sky.
Death leaps at the fools who forget their God.
He who lives humbly has angels from Heaven
To carry him courage and strength and belief.
A man must conquer pride, not kill it,
Be firm with his fellows, chaste for himself,
Treat all the world as the world deserves,
With love or with hate but never with harm,
Though an enemy seek to scorch him in hell,
Or set the flames of a funeral pyre
Under his lord. Fate is stronger
And God mightier than any man’s mind.
Our thoughts should turn to where our home is,
Consider the ways of coming there,
Then strive for sure permission for us
To rise to that eternal joy,
That life born in the love of God
And the hope of Heaven. Praise the Holy
Grace of Him who honored us,
Eternal, unchanging creator of earth. Amen.
This entry is a submission of Fiona of Vista Court.
Farewell! thou art too dear for my possessing,
And like enough thou know’st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gavest, thy own worth then not knowing,
Or me, to whom thou gavest it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgement making.
Thus have I had thee, as a dream doth flatter,
In sleep a king, but waking no such matter.
In this poem, ‘dear’ means ‘costly,’ A ‘misprision’ is an erroneous judgement, especially about the value or identity of something.
For Alexander there was no Far East,
Because he thought the Asian continent
India ended. Free Cathay at least
Did not contribute to his discontent.
But Newton, who had grasped all space, was more
Serene. To him it seemed that he’d but played
With several shells and pebbles on the shore
Of that profundity he had not made.
The Greek historian Plutarch, in his “Life of Alexander,” wrote: “When Alexander saw the breadth of his domain, he wept, for there were no more worlds to conquer.” Isaac Newton, who would conquer more than this in his scientific discoveries of laws of motion and gravity, wrote, “I was like a boy playing on the sea-shore, and diverting myself now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.”
David (Scottish metrical version)
The Lord’s my shepherd, I’ll not want:
He makes me down to lie
In pastures green; he leadeth me
The quiet waters by.
My soul he doth restore again,
And me to walk doth make
Within the paths of righteousness,
E’en for his own name’s sake.
Yea, though I walk in death’s dark vale,
Yet will I fear no ills,
For though art with me, and thy rod
And staff me comfort still.
My table thou hast furnished
In presence of my foes.
My head thou dost with oil anoint,
And my cup overflows.
Goodness and mercy all my life
Shall surely follow me,
And in thy house forevermore
My dwelling place shall be.