Category Archives: Poetry

The Coin

Woman with a Balance. Johannes Vermeer. 1665.
Woman with a Balance. Johannes Vermeer. 1665.

The Coin

Sara Teasdale, 1920

 

Into my heart’s treasury

I slipped a coin

That time cannot take

Nor a thief purloin,—

Oh, better than the minting

Of a gold-crowned king

Is the safe-kept memory

Of a lovely thing.

 

What value can be placed on beauty? Teasdale suggests that the memory of lovely things is more precious than material wealth.

from Beowulf

Beowulf the King. Lynn Ward. 1939.
Beowulf the King. Lynn Ward. 1939.

 

from Beowulf

translated by Frederick Rebsamen

 

 Mark carefully

this lesson of anguish—old in winters

I warn you by this.          It is wondrous to see

how almighty God          in his endless wisdom

grants unto man          a mind to rule with

kingdom and meadhall          to keep until death.

At times the Measurer          maker of us all

brings moments of pleasure          to those proud man-thoughts

gives to that war king          worldly power-goods

hall and homeland          to hold for his own

renders him ruler          of regions of the earth

a broad kingdom—he cannot forsee

in his own unwisdom          an end to such wealth.

He dwells in happiness          no hindrance bothers him

no illness or age          or evil reckoning

darkens his mind          no deep serpent thoughts

edge-hate in his heart—but all thisloan-world

bends to his will          welcomes him with gold

till high thron-ethoughts          throng into his mind

gather in his head.          Then the guardian sleeps

the soul’s warden—it slumbers too long

while a silent slayer          slips close to him

shoots from his bow          baleful arrows.

Deep into his heart          hard under shield-guard

strikes the arrowhead—no armor withstands

that quiet marksman          cold mind-killer.

What he long has held          too little contents him

greed grapples him          he gives no longer

gold-patterened rings          reckons no ending

of borrowed treasure-years          bright earth-fortune

granted by God          the great Measurer.

The last of splendor          slips into darkness

the loaned king-body          cracks upon the pyre

swirls away in smoke—soon another one

steps to the gift-throne          shares his goldhoard

turns that treachery          to trust and reward.

Guard against life-bale          beloved Beowulf

best of warriors          win for your soul

eternal counsel—care not for pride

great shield-champion!          The glory of your strength

lasts for a while          but not long after

sickness or spear-point          will sever you from life

or the fire’s embrace          or the flood’s welling

or the file-hard sword          or the flight of a spear

or bane-bearing age—the brightness of your eye

will dim and darken.          Destiny is waiting

and death will take you          down into the earth.

 

This is one of my favorite passages of Beowulf, in which the Danish king Hrothgar joyfully meets Beowulf after Beowulf’s victory over the troll-wife. But rather than delivering the effusive praise one might expect, Hrothgar warns Beowulf with ‘bountiful words’ against the entrapment of pride. I highly recommend Rebsamen’s vigorous translation of this anonymous Anglo-Saxon poem. ‘Each one among us shall mark the end of this worldly life. Let him who may earn deeds of glory before death takes him—after life-days honor-fame is best.’

Quiet, Please

"One More Step, Mr. Hands..." N.C. Wyeth.
“One More Step, Mr. Hands…” N.C. Wyeth.

 

Quiet, Please

Samantha Little

 

“Quiet, please!” says the librarian.

I nod and pass with a softened tread

Through the quiet ranks of books, and then

Choose one that I have not yet read.

 

“Quiet, please!” said the librarian,

But pirates leap on the shining deck,

Clamber over briny ropes, and then

Sing raucous ballads about a wreck.

 

“Quiet, please!” said the librarian,

But the jungles crash beneath the stamp

Of the rajah’s elephant, and then

Follows a procession with stately tramp.

 

“Quiet, please!” said the librarian,

But the horse’s hooves sound loud and clear,

The scaly dragon roars flames, and then

Knight George has freed the folk from fear.

 

“Well, well,” says the librarian,

“You have been nice and quiet today.”

I nod and smile politely, then

Claim, “It’s not as quiet as they say.”

How Sleep the Brave

Liberty Leading the People. Eugène Delacroix. 1830.
Liberty Leading the People. Eugène Delacroix. 1830.

 

How Sleep the Brave

William Collins

 

How sleep the brave, who sink to rest

By all their country’s wishes blest!

When Spring, with dewy fingers cold,

Returns to deck their hallow’d mould,

She there shall dress a sweeter sod

Than Fancy’s feet have ever trod.

 

By fairy hands their knells is rung;

By forms unseen their dirges sung;

There Honour comes, a pilgrim grey,

To bless the turf that wraps their clay;

And Freedom shall while repair

To dwell, a weeping hermit, there!

Buttercups and Daisies

Buttercups and Daisies. Hugh Cameron. 1881
Buttercups and Daisies. Hugh Cameron. 1881

 

Buttercups and Daisies

Mary Howitt

 

Buttercups and daisies—

Oh the pretty flowers,

Coming ere the springtime

To tell of sunny hours.

While the trees are leafless

While the fields are bare,

Buttercups and daisies

Spring up here and there.

 

Ere the snowdrop peepeth,

Ere the crocus bold,

Ere the early primrose

Opes its paly gold,

Somewhere on a sunny bank

Buttercups are bright;

Somewhere ‘mong the frozen grass

Peeps the daisy white.

 

Little hard-flowers

Like to children poor,

Playing in their sturdy health

By their mother’s door:

Purple with the north wind,

Yet alert and bold;

Fearing not and caring not,

Though they be a-cold.

 

What to them is weather!

What are stormy showers!

Buttercups and daisies

Are these human flowers!

He who gave them hardship

And a life of care,

Gave them likewise hardy strength,

And patient hearts, to bear.

 

Welcome yellow buttercups,

Welcome daisies white,

Ye are in my spirit

Visioned, a delight!

Coming ere the springtime

Of sunny hours to tell—

Speaking to our hearts of Him

Who doeth all things well.

 

A Pearl, a Girl

Girl with a Pearl Earring. Johannes Vermeer. 1665.
Girl with a Pearl Earring. Johannes Vermeer. 1665.

 

A Pearl, a Girl

Robert Browning

 

A simple ring with a single stone,

To the vulgar eye no stone of price:

Whisper the right word, that alone—

Forth starts a sprite, like fire from ice,

And lo, you are lord (says an Eastern scroll)

Of heaven and earth, lord whole and sole

Through the power in a pearl.

 

A woman (’tis I this time that say)

With little worth the world counts worthy praise

Utter the true word—out and away

Escapes her soul: I am wrapt in blaze,

Creation’s lord, of heaven and earth

Lord whole and sole—by a minute’s birth—

Through the love in a girl!

from the Prologue of The Faerie Queen

St. George Fighting the Dragon. Bernardo Martorell. 1435.
St. George Fighting the Dragon. Bernardo Martorell. 1435.

 

from the Prologue of The Faerie Queen

Edmund Spenser

 

Lo I the man, whose muse whilome did mask,

(As time her taught), in lowly shepherd’s weeds,

Am now enforced a far unfitter task,

For trumpets stern, to change mine Oaten reeds,

And sing of Knights and Ladies gentle deeds;

Whose praises having slept in silence long,

Me, all too mean, the Muse areeds

To blazon broad amongst her learnéd throng:

Fierce wars and faithfull loves shall moralize my song.

Immanence

Woodcock Nesting on a Beach. Archibald Thorburn. 1910.

 

Immanence

Evelyn Underhill

 

I come in the little things,

Saith the Lord:

Not borne on morning wings

Of majesty, but I have set My Feet

Amidst the delicate and bladed wheat

That springs triumphant in the furrowed sod

There do I dwell, in weakness and in power:

Not broken or divided, saith our God!

In your straight garden plot I come to flower:

About your porch My Vine

Meek, fruitful, doth entwine;

Waits, at the threshold, Love’s appointed hour.

 

I come in little things,

Saith the Lord:

Yea! on the glancing wings

Of eager birds, the softly pattering feet

Of furred and gentle beasts. I come to meet

Your hard and wayward heart. In brown eyes

That peep from out the brake, I stand confest

On every nest

Where feathery Patience is content to brood

And leaves her pleasure for the high emprize

Of motherhood—

There doth My Godhead rest.

 

I come in little things,

Saith the Lord:

My starry wings

I do forsake,

Love’s highway of humility to take.

Meekly I fit My stature to your need.

In beggar’s part

About your gates I shall not cease to plead—

As man, to speak with man—

Till by such art

I shall achieve My Immemorial Plan.

Pass the low lintel of the human heart.

 

‘Immanence’ is defined as the state of being within a given domain. In philosophy and metaphysics, the word can refer  to the belief that the Divine Spirit is seen to be manifest in the natural world. It is sometimes contrasted with ‘transcendence’—the idea that  God exists outside  the natural world. Many believe, as I do, that the Bible makes clear a beautiful and mysterious relationship between the two.

The Annunciation

The Annunciation. Fra Angelico. 1440.

 

The Annunciation

Denise Levertov

 

Hail, space for the uncontained God.—Agathistos Hymn, Greece

 

We know the scene: the room, variously furnished,

almost always a lectern, a book; always

the tall lilly.

Arrived on solemn grandeur of great wings,

the angelic ambassador, standing or hovering,

whom she acknowledges, a guest. But we are told of meek

obedience. No one mentions

courage.

The engendering Spirit

did not enter her without consent.

God waited. She was free

to accept or to refuse, choice

integral to humanness.

 

Aren’t there annunciations

of one sort or another

in most lives?

Some unwillingly

undertake great destinies,

enact them in sullen pride,

uncomprehending.

More often

those moments

when roads of light and storm

open from darkness in a man or woman,

are turned away from

in dread, in a wave of weakness, in despair

and with relief.

Oridnary lives continue.

God does not smite them.

But the gates close, the pathway vanishes.

 

She had been a child who played, ate, slept

like any other child—but unlike others,

wept only for pity, laughed

in joy not triumph.

Compassion and intelligence fused in her, indivisible.

 

Called to a destiny more momentous

than any in all of Time,

she did not quail,

only asked

a simple, ‘How can this be?’

and gravely, courteously,

took to heart the angel’s reply,

perceiving instantly

the astounding ministry she was offered: to bear in her womb

Infinite weight and lightness; to carry

in hidden, finite inwardness,

nine months of Eternity; to contain

in slender vase of being,

the sum of power—

in narrow flesh,

the sum of light.

The bring to birth,

push out into air, a Man-child

needing, like any other,

milk and love—but who was God.

Aubade: The Annunciation

The Annunciation. Simone Martini and Lippo Memmi. 1333.

 

Aubade: The Annunciation

Thomas Marian, 1946

 

When the dim light, at Lauds, comes strike her window,

Bellsong falls out of Heaven with a sound of glass.

 

Prayers fly in the mind like larks,

Thoughts hide in the height like hawks:

And while the country churches tell their blessings to the distance,

Her slow words move

(Like summer winds the wheat) her innocent love:

Desires glitter in her mind

Like morning stars:

 

Until her name is suddenly spoken

Like a meteor falling.

 

She can no longer hear shrill day

Sing in the east,

Nor see the lovely woods begin to toss their manes.

The rivers have begun to sing.

The little clouds shine in the sky like little girls:

She has no eyes to see their faces.

 

Speech of an angel shines in the waters of her thought like diamonds,

Rides like a sunburst on the hillsides of her heart.

 

And is brought home like harvests,

Hid in her house, and stores

Like the sweet summer’s riches in our peaceful barns.

 

But in the world of March outside her dwelling,

The farmers and the planters

Fear to begin their sowing, and its lengthy labor,

Where, on the brown, bare furrows,

The winter wind still croons as dumb as pain.