The Windhover

Wheat Field with a Lark. Vincent van Gogh. 1887.

 

The Windhover

Gerard Manley Hopkins

 

To Christ Our Lord

 

I caught this morning morning’s minion, king-

dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding

Of the rolling level underneath him steady air, and striding

High there, how he rung upon the reign of a wimpling wing

In his ecstasy! then off, off forth on swing,

As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding

Rebuffed the big wind. My heart in hiding

Stirred for a bird,—the achieve of, the mastery of the thing!

 

Brute beauty and valour and act, oh, air, pride, plume, here

Buckle! AND the fire that breaks from thee then, a billion

Times told lovelier, more dangerous, O my chevalier!

 

No wonder of it: shéer plód makes plough down sillion

Shine, and blue-bleak embers, ah my dear,

Fall, gall themselves, and gash gold-vermillion.

Parable

Don Quixote. Pablo Picasso. 1955.

Parable

Richard Wilbur

 

I read how Quixote in his random ride

Came to a crossing once, and lest he lose

The purity of chance, would not decide

 

Whither to fare, but wished his horse to choose.

For glory lay wherever he might turn.

His head was light with pride, his horse’s shoes

 

Were heavy, and he headed for the barn.

 

Picasso’s sketch is a submission of Fiona of Vista Court.

Poets

The Poor Poet. Carl Spitzweg. 1837.

 

Poets

Robert Herrick

 

Wantons we are; and though our words be such,

Our lives do differ from our lines by much.

 

Herrick closed one volume of poetry (Hebrides) with another couplet, apologizing for his bawdier verses: “To his book’s end this line he’d have placed:/ Jocund his muse was, but his life was chaste.”

Eldorado

The Mountain Ford. Thomas Cole. 1846.

 

Eldorado

Edgar Allan Poe, 1849

 

Gaily bedight,

A gallant knight,

In sunshine and in shadow,

Had journeyed long,

Singing a song,

In search of Eldorado

 

But he grew old—

This knight so bold—

And o’er his heart a shadow

Fell as he found

No spot of ground

That looked like Eldorado.

 

And, as his strength

Failed him at length,

He met a pilgrim shadow—

“Shadow,” said he,

“Where can it be—

This land of Eldorado?”

 

“Over the mountains

Of the Moon,

Down the Valley of the Shadow,

Ride, boldly ride,”

The shade replied—

“If you seek for Eldorado!”

 

A Fine Picture—Some have found this the most mysterious painting by Cole. A lone figure in Renaissance dress rides through Adirondack scenery. Possibly, the painting had great significance for Cole, who was readying himself for his most ambitious project. A few months before he painted The Mountain Ford, Cole described himself as “one who, traveling through a desert, comes to a deep stream… and fears to venture in the rushing waters. But I am about to venture.” This “deep stream” was the zealous (but ultimately unrealized) dream of completing a five-part religious cycle called “The Cross and the World.” It was to contrast the life journeys of a Christian and of a worldly man.

A Little Poetry—”Eldorado” was one of Poe’s last poems. It was published on April 21, 1849, during the time of the California Gold Rush. Interestingly, Poe uses the word ‘shadow’ in each of the stanzas, and they each have a different meaning: absence of sunlight, despair, ghost, and death.

Sea Fever

Rounding Cape Horn. Montague Dawson. 1959.

 

Sea Fever

John Masefield

 

I must go down to the seas again, to the lonely sea and the sky,

And all I ask is a tall ship and a star to steer her by,

And the wheel’s kick and the wind’s song and the white sails shaking,

And a gray mist on the sea’s face, and a gray dawn breaking.

 

I must go down to the seas again, for the call of the running tide

Is a wild call and a clear call that may not be denied;

And all I ask is a windy day with the white clouds flying,

And the flung spray and the blown spume, and the sea-gulls crying.

 

I must go down to the seas again, to the vagrant gypsy life,

To the gull’s way and the whale’s way, where the wind’s like a whetted knife;

And all I ask is a merry yarn from a laughing fellow-rover,

And quiet sleep and a sweet dream when the long trick’s over.

 

This poem is a submission of Erica L.

To His Coy Mistress

Portrait of a Lady. William Merritt Chase. 1890.

 

To His Coy Mistress

Andrew Marvell, 1650′s

 

Had we but world enough, and time,

This coyness, lady, were no crime.

We would sit down and think which way

To walk, and pass our long love’s day;

Thou by the Indian Ganges’ side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the Flood;

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires, and more slow.

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.

 

But at my back I always hear

Time’s winged chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found,

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long preserv’d virginity,

And your quaint honor turn to dust,

And into ashes all my lust.

The grave’s a fine and private place,

But none I think do there embrace.

 

Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may;

And now, like am’rous birds of prey,

Rather at once our time devour,

Than languish in his slow-chapp’d power.

Let us roll all our strength, and all

Our sweetness, up into one ball;

And tear our pleasures with rough strife

Through the iron gates of life.

Thus, though we cannot make our sun

Stand still, yet we will make him run.

Wakefulness

Woman Awakening. Eva Gonzales. 1876.

 

Wakefulness

Amy Lowell

 

Jolt of market-carts;

Steady drip of horses’ hoofs on the hard pavement;

A black sky lacquered over with blueness,

And the lights of the Battersea Bridge

Pricking pale in the dawn.

The beautiful hours are passing

And still you sleep!

Tired heart of my joy,

Incurved upon your dreams,

Will the day come before you have opened to me?

Pied Beauty

Milkmaid with Cows. Julien Dupré.

 

Pied Beauty

Gerard Manley Hopkins

 

Glory be to God for dappled things—

For skies of couple-colour as a brindled cow;

For rose-moles all in stipple upon trout that swim;

Fresh-firecoal chestnut-falls; finches wings;

Landscape plotted and pierced—fold, fallow, and plough;

And áll trádes, their gear and tackle and trim.

 

All things counter, original, spare, strange;

Whatever is fickle, freckled (who knows how?)

With swift, slow; sweet, sour; adazzle, dim;

He fathers-forth whose beauty is past change:

Praise him.

The Naming of Cats

Man with the Cat (Henry Sturgis Drinker). Cecilia Beaux. 1898.

 

The Naming of Cats

T. S. Elliott, 1939

 

The Naming of Cats is a difficult matter,

It isn’t just one of your holiday games;

You may think at first I’m mad as a hatter

When I tell you, a cat must have THREE DIFFERENT NAMES.

First of all, there’s the name that the family use daily,

Such as Peter, Augustus, Alonzo or James,

Such as Victor or Jonathan, George or Bill Bailey—

All of them sensible everyday names.

There are fancier names if you think they sound sweeter,

Some for the gentlemen, some for the dames:

Such as Plato, Admetus, Electra, Demeter—

But all of them sensible everyday names.

But I tell you, a cat needs a name that’s particular,

A name that’s peculiar, and more dignified,

Else how could he keep up his tail perpendicular,

Or spread out his whiskers, or cherish his pride?

Of names of this kind, I can give you a quorum,

Such as Munkustrap, Quaxo, or Coricopat,

Such as Bombalurina, or else Jellyorum—

Names that never belong to more than one cat.

But above and beyond there’s still one name left over,

And that is the name that you never will guess;

The name that no human research can discover—

But THE CAT HIMSELF KNOWS, and will never confess.

When you notice a cat in profound meditation,

The reason, I tell you, is always the same:

His mind is engaged in a rapt contemplation

Of the thought, of the thought, of the thought of his name:

His ineffable effable

Effanineffable

Deep and inscrutable singular Name.

 

This popular poem opens a collection of poems introducing various feline personalities—including the mysterious Macavity and the fastidious Bustopher Jones. Old Possum’s Book of Practical Cats would later be adapted by Andrew Lloyd-Webber as the long-running Broadway show Cats.

Maidenhood

At the Edge of the Brook. William-Adolphe Bouguereau. 1875.

 

Maidenhood

Henry Wadsworth Longfellow

 

Maiden! with the meek, brown eyes,

In whose orb a shadow lies

Like the dusk in evening skies!

 

Thou whose locks outshine the sun,

Golden tresses, wreathed in one,

As the braided streamlets run!

 

Standing, with reluctant feet.,

Where the brook and river meet,

Womanhood and childhood fleet!

 

Gazing with a timid glance,

On the brooklet’s swift advance,

On the river’s broad expanse!

 

Deep and still, that gliding stream

Beautiful to thee must seem,

As the river of a dream.

 

Then why pause with indecision,

When bright angels in thy vision

Beckon thee to fields Elysian?

 

Seest thou shadows sailing by,

As the dove, with startled eye

Sees the falcon’s shadow fly?

 

Hearest thou voices on the shore,

That our ears perceive no more,

Deafened by the cataract’s roar?

 

O, thou child of many prayers!

Life hath quicksands, Life hath snares!

Care and age come unawares!

 

Like the swell of some sweet tune

Morning rises into noon,

May glides onward into June.

 

Childhood is the bough where slumbered

Birds and blossoms many numbered;—

Age, that bough with snows encumbered.

 

Gather then, each flower that grows,

When the young heart overflows,

To embalm that tent of snows.

 

Bear a lily in thy hand;

Gates of brass cannot withstand

One touch of that magic wand.

 

Bear through sorrow, wrong, and ruth

In the heart the dew of youth,

On thy lips the smile of truth.

 

O, that dew, like balm, shall steal

Into wounds that cannot heal,

Even as sleep our eyes doth seal;

 

And that smile, like sunshine dart

Into many a sunless heart,

For a smile of God thou art.