Believe Me, If All Those Endearing Young Charms

We Both Must Fade (Mrs. Fithian). Lilly Martin Spenser. 1869.

 

Believe Me, If All Those Endearing Young Charms

Thomas Moore, 1808

 

Believe me, if all those endearing young charms,

Which I gaze on so fondly today,

Were to change by tomorrow and fleet in my arms,

Like fairy wings fading away,

Thou wouldst still be adored, as this moment thou art,

Let thy loveliness fade as it will;

And around the dear ruin each wish of my heart

Would entwine itself verdantly still.

 

It is not while beauty and youth are thine own,

And thy cheeks unprofaned by a tear,

That the fervor and faith of a soul can be known,

To which time will but make thee more dear.

No, the heart that has truly loved never forgets,

But as truly loves on to the close:

As the sunflower turns on her god when he sets

The same look which she turned when he rose.

 

“Believe Me, If All Those Endearing Young Charms” was a popular song in early nineteenth-century Ireland and America, written by Thomas Moore to a traditional Irish air in 1808. According to story, Moore wrote the song for his wife Bessy after she was disfigured by smallpox. Believing that he could no longer love her, Bessy kept herself locked in her room and would not let her husband see her. Moore wrote the lyrics of this song to assure his wife of the constancy of his love. Hearing him singing the song outside the bedroom door, Bessy finally let her husband in and fell into his arms, her confidence restored.

You can listen to Joni James sing the song at YouTube. <http://www.youtube.com/watch?v=87WWMvlPXA8>

Song

The Nest. John Everett Millais. 1887.

 

Song

Henry Wadsworth Longfellow, 1858

 

Stay, stay at home, my heart, and rest;

Home-keeping hearts are happiest,

For those that wander they know not where

Are full of trouble and full of care;

To stay at home is best.

 

Weary and homesick and distressed,

They wander east, they wander west,

And are baffled and beaten and blown about

By the winds of the wilderness of doubt;

To stay at home is best.

 

Then stay at home, my heart, and rest;

The bird is safest in its nest;

O’er all that flutter their wings and fly

A hawk is hovering in the sky;

To stay at home is best.

 

‘As a bird wandereth from her nest, so is a man that wandereth from his place.’ Proverbs 27:8

A Feast of Lanterns

Carnation Lily, Lily Rose. John Singer Sargent. 1886.

 

A Feast of Lanterns

Yuan Mei (translated by L. Cranmer-Byng)

 

In Spring for sheer delight

I set the lanterns swinging through the trees,

Bright as the myriad argosies of night,

That ride the clouded billows of the sky.

Red dragons leap and plunge in gold and silver seas,

And, O my garden gleaming cold and white,

Thou hast outshone the fair faint moon on high.

A Red, Red Rose

My Sweet Rose. John William Waterhouse. 1908.

 

A Red, Red Rose

Robert Burns

 

O, my luve’s like a red, red rose,

That’s newly sprung in June.

O, my luve’s like the melodie,

That’s sweetly play’d in tune.

 

As fair art thou, my bonnie lass,

Soo deep in luve am I,

And I will luve thee still, my Dear,

Till a’ the seas gang dry.

 

Till a’ the seas gang dry, my Dear,

And the rocks melt wi’ the sun!

O I will luve thee still, my Dear,

While the sands o’ life shall run.

 

And fare thee weel, my only Luve,

And fare thee weel a while!

And I will come again, my Luve,

Tho’ it were ten thousand mile!

The Elixer


Peasant Woman Sweeping the Floor. Vincent van Gogh. 1885.

 

 

The Elixer

George Herbert (1593-1633)

 

Teach me, my God and King,

In all things thee to see,

And what I do in anything,

To do it as for thee:

 

Not rudely, as a beast,

To runne into an action;

But still to make thee prepossest,

And give it his perfection.

 

A man that looks on glasse,

On it may stay his eye;

Or, if he pleaseth, through it passe

And then the heav’n espie.

 

All may of thee partake:

Nothing can be so mean,

Which with his tincture (for thy sake)

Will not grow bright and clean.

 

A servant with this clause

Makes drudgerie divine:

Who sweeps a room as for thy laws,

Makes that and th’ action fine.

 

This is the famous stone

That turneth all to gold:

For that which God doth touch and own

Cannot for less be told.

 

A Little Poetry—Medieval apothecaries sought diligently after a mythical substance that would change base metals to precious gold. In George Herbert’s most famous poem, he employed this legendary elixer, or tincture, as a metaphysical conceit to describe the heavenly transformation of ‘drudgerie’ into divine service. It’s a poem I have dedicated to memory, a reminder to be deliberate in dedicating all my work to the Lord. “And whatsoever ye do, do it heartily, as to the Lord, and not unto men; Knowing that of the Lord ye shall receive the reward of the inheritance: for ye serve the Lord Christ.” Colossians 3:23-24.

(In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem.)

Holy Sonnets

Annunciation. Fra Angelico. 1434.

 

Holy Sonnets

John Donne, 1610

 

La Corona.

Deign at my hands this crown of prayer and praise,

Weav’d in my low devout melancholy,

Thou which of good hast, yea, art treasury,

All changing unchag’d Ancient of days.

But do not, with a vile crown of frail bays

Reward my muse’s white sincerity,

But what thy thorny crown gain’d, that give me,

A crown of Glory which doth flower always;

The ends crown our works, but thou crown’st our ends,

For, at our end begins our endless rest,

The first last end, now zealously possest,

With a strong sober thirst, my soul attends.

‘Tis time that the heart and voice be lifted high,

Salvation to all that will is nigh.

 

Annunciation.

Salvation to all that will is nigh,

That All, which always is All every where,

Which cannot sin, and yet all sins must bear,

Which cannot die, yet cannot choose but die,

Lo, faithful Virgin, yields himself to lie

In prison, in thy womb; and though he there

Can take no sin, nor thou give, yet he will wear,

Taken from thence, flesh, which death’s force may try.

Ere by the sphere’s time was created, thou

Wast in his mind, who is thy Son and Brother;

Whom thou conceiv’st, conceiv’d; yea, thou art now

Thy Maker’s maker, and thy Father’s mother,

Thou hast light in dark, and shutst in little room,

Immensity cloistered in thy dear womb.

 

Nativity.

Immensity cloistered in thy dear womb

Now leaves his wellbelov’d imprisonment.

There he hath made himself to his intent

Weak enough, now into our world to come.

But, oh, for thee, for him, hath th’ Inn no room?

Yet lay him in this stall, and from the Orient

Stars and wisemen will travel to prevent

The effect of Herod’s jealous general doom.

Seest thou, my Soul, with thy faith’s eyes, how he

Which fills all place, yet none holds him, doth lie?

Was not his pity towards thee wondrous high,

That would have need to be pitied by thee?

Kiss him, and with him into Egypt go,

With his kind mother, who partakes thy woe.

 

Temple.

With his kind mother who partakes thy woe,

Joseph, turn back; see where your child doth sit,

Blowing, yea blowing out those sparks of wit

Which himself on the Doctors did bestow.

The Word but lately could not speak, and, lo,

It suddenly speaks wonders. Whence comes it

That all which was, and all which should be writ,

A shallow-seeming child should deeply know?

His Godhead was not soul to his manhood,

Nor had time mellowed him to this ripeness,

But as for one which hath a long task, ’tis good

With the Sun to begin his business.

He in his age’s morning thus began

By miracles exceeding power of man.

 

Crucifying.

By miracles exceeding power of man,

He faith in some, envy in some begat,

For, what meek spirits admire, ambitious hate;

In both affections many to him ran.

But Oh! the worst are most; they will and can,

Alas, and do unto the immaculate,

Whose creature Fate is, now do prescribe a Fate,

Measuring self-life’s infinity to a span,

Nay, to an inch. Lo, where condemned  he

Bears his own cross with pain, yet by and by,

When it bears him, he must bear more and die.

Now thou art lifted up, draw me near to thee,

And at thy death giving such liberal dole,

Moist, with one drop of thy blood, my dry soul.

 

Resurrection.

Moist, with one drop of thy blood; my dry soul

Shall (though she now in extreme degree

Too stony hard, and yet too fleshly) be

Freed by that drop, from being starv’d, hard, or foul.

And life, by this death abled, shall control

Death, whom thy death slew; nor shall to me

Fear of first or last death bring misery,

If in thy little book my name thou enroll.

Flesh in that long sleep is not putrified,

But made that there, of which and for which ’twas,

Nor can by other means be glorified.

May then sins sleep, and deaths soon from me pass,

That wak’t from both, I again risen may

Salute the last and everlasting day.

 

Ascension.

Salute the last and everlasting day,

Joy at the uprising of this Sun and Son,

Ye whose just tears or tribulation

Have purely washt or burnt your drossie clay;

Behold the Highest, parting hence away,

Lightens the dark clouds which he treads upon,

Nor doth he by ascending show alone,

But first he, and he first enters the way.

O strong Ram, which hath batter’d heaven for me;

Mild Lamb, which with thy blood hast mark’d the path;

Bright torch, which shinest that I the way may see;

O, with thine own blood quench thine own just wrath,

And if thy Holy Spirit my Muse did raise,

Deign at my hands this crown of prayer and praise.

To My Dear and Loving Husband

The Painter's Honeymoon. Edmund Leighton. 1864.

 

To My Dear and Loving Husband

Anne Bradstreet (1612-1672)

 

If ever two were one, then surely we.

If ever man were lov’d by wife, then thee.

If ever wife was happy in a man,

Compare with me, ye women, if you can.

I prize thy love more than whole mines of gold

Or all the riches that the East doth hold.

My love is such that rivers cannot quench,

Nor aught but love from thee give recompense.

Thy love is such I can no way repay;

The heavens reward thee manifold, I pray.

Then while we live, in love let’s so persever,

That when we live no more, we may live ever.

Trees

Classical Tree. Thomas Locker. 2010.

 

Trees

Joyce Kilmer, 1913

 

I think that I shall never see

A poem lovely as a tree.

 

A tree whose hungry mouth is prest

Against the sweet earth’s flowing breast;

 

A tree that looks at God all day,

And lifts her leafy arms to pray;

 

A tree that may in summer wear

A nest of robins in her hair;

 

Upon whose bosom snow has lain;

Who intimately lives with rain.

 

Poems are made by fools like me,

But only God can make a tree.

 

This entry is a submission from Fiona of Vista Court.

The Swing

The Swing. Pierre Auguste Renoir. 1876.

 

The Swing

Robert Louis Stevenson, 1885

 

How do you like to go up in a swing,

Up in the air so blue?

Oh, I do think it the pleasantest thing

Ever a child can do!

 

Up in the air and over the wall,

Till I can see so wide,

Rivers and trees and cattle and

All over the countryside—

Till I look down on the garden green,

Down on the roof so brown—

Up in the air I go flying again,

Up in the air and down!